Six audiobooks this month, down from eight last month, this time heavily skewed toward sf (5) over fantasy (1):
- To Marry Medusa By Narrated by for Blackstone Audio — Rudnicki’s a fan of Sturgeon’s, and I’ve heard him on More Than Human which, along with To Marry Medusa, explores the idea of emergent parapsychology. It’s a reminder that, along with Arthur C. Clarke’s Childhood’s End, science fiction (and science) actually took telepathy quite seriously. In To Marry Medusa, an alien spore finds its way into one of humanity’s crummiest, grimiest members, opening a conduit for communication with a great interstellar hive mind. The hive mind wants to awaken humanity’s latent mass consciousness, but may be getting more than it bargained for. As usual, Rudnicki is clear, and I enjoyed his characterization of the alcoholic Dan Gurlick. But overall, the central premise of the story is too unreachable for me, an uber-skeptic of the 21st century. 3.5 stars. (Out of 5.)
- The Stress of Her Regard By Narrated by
- Leviathan Wakes By Narrated by for Recorded Books — I read the first chapter of this in print last summer, and had a good idea I wanted to get to it sooner or later. Well, sale-priced and on the heels of being recommended by George R.R. Martin on his blog, I decided that now was the time. I’m of quite a few minds on this one, but space opera just isn’t my bag, really. Some clever ideas in and around a solidly built world, but not quite enough backstory of how we get to THERE from HERE for it to feel fully realized and solid; the alternating storylines of gritty Belter detective Miller and ice hauler CO Jim Holden advanced things pretty well, but I never felt much of a connection with either under Mays’s narration here. I am a bit more interested in the side-short The Butcher of Anderson Station than in picking up forthcoming sequel Caliban’s War (June 26) but neither really that much. Again: space opera really isn’t my bag. 3.5 stars.
- Arctic Rising By Narrated by for Audible Frontiers — As above, thrillers aren’t generally my bag, either, though I found a lot more to like, sf-wise, in Arctic Rising than in Neal Stephenson’s Reamde, another “sf/thriller” hybrid of recent memory. (This isn’t a fault necessarily of Reamde, it is after all set in a future as near as next year.) For Arctic Rising, I very much enjoyed Smith’s narration, my first experience with her as a narrator. She handled African and Afro-Caribbean accents well enough, along with a clear mainline narration, though her Russian accents left a little more to the imagination. Story-wise, an interesting and sophisticated near/medium future of a climate change with winners and losers is marred only a little by the incredulous parade of near-deaths and escapes which drive Anika to and fro. 3.5 to 4 stars, somewhere in there.
- The Gravity Pilot By Narrated by for Audible Frontiers — Buckner really “dives” (oh, I am so sorry) into a grim near/medium future of ecological collapse and pollution, focusing on skydiver Orr Sitka and an immersive (and addictive) virtual reality construct. Some very interesting ideas, and as always more than capable narration from Snyder, but in the end it fell a little short of my (admittedly high) expectations. 3 to 3.5 stars, somewhere in there.
- A Door into Ocean By Narrated by for Blackstone Audio — In a word: amazing. Landor’s narration is beautiful and lyrical, with well-detailed characterizations across the cultures and classes presented in Slonczewski’s award-winning novel of feminism, pacifism, and anarchism in a far-future of multiple visions of post-humanity. It immediately vaults into my all-time favorites list, though perhaps a half-step behind The Dispossessed and Parable of the Sower. 5 stars.And in “real” reading, I finished James Maxey’s Greatshadow — in brief: Pirates of the Caribbean meets X-Men meets Dragonhunter, a lot of fun amidst some really brilliant characters and powers — along with Nancy Kress’s short novel After the Fall, Before the Fall, During the Fall, which I had barely started in February, and which is both a skillfully rendered near-future apocalyptic novel in short, sharp chapters and and an Oryx & Crake-esque post-apocalyptic novel, with the speculation turned up quite enough that Atwood would certainly label it a science fiction, not speculative fiction: even if Atwood’s genetically tailored posthumans are plausible, Kress’s “The Grab”, a time-travel device, certainly isn’t. I also turned my eyes toward some sf for younger readers, getting through about half of The Invention of Hugo Cabret by Brian Selznick in semi-nightly readings with my kids over which we spend quite a lot of time poring over the illustrations, and I read A Monster Calls by Patrick Ness in one sitting on a beautiful Saturday afternoon — a Kitschies-nominated book which packs quite an emotional punch and which I won’t be reading with the kids any time soon.
KIDS CORNER: Speaking of Hugo and A Monster Calls, this month I also listened to quite a few “kids” titles (I’m a dad, it’s what we do!) — but that will be a post for another day.
APRIL LISTENING PLANS: