Audiobook Review: Boy, Snow, Bird

Boy Snow Bird

Boy, Snow, Bird
By Helen Oyeyemi
Narrated by Susan Bennett and Cara Patterson
Ⓟ 2014, Recorded Books
9 hours, 19 minutes


Once upon a time, there was an evil mother, a beautiful daughter, and an attentive father…. The narrative of their lives starts when Boy runs away from the home where she was physically and psychologically abused by The Rat Catcher, and ends up in a small artisanal town in Massachusetts. In Flax Hill, MA, Boy meets and marries a local widower who has a daughter of his own, a classical, ethereal beauty named Snow. With the arrival of Boy’s own daughter, named Bird,  Boy and Snow’s promising relationship becomes estranged and culminates with Boy sending Snow away to live with another relative. Throughout all of Boy’s and Bird’s life, perhaps with Snow’s as well, there are fantastical, sometimes terrifying events involving visions, mirrors and tapping into the “technically impossible” aspects of the world in which they live.

Boy, Snow, Bird opens with the story told from twenty-year old Boy’s point of view. We are at once struck by her coldness, her emotional disconnect from events surrounding her and the seemingly heartless decisions she makes as her intellect supersedes her emotions. There are non sequiturs that jump out from the story in the blink of an eye and just as quickly disappear.  The confusing episodes remind the reader of the demi-world between wakefulness and sleep, a place where a feeling becomes manifest as in a dream with the equal chance that it will be a nightmare. This is the part of the novel where Oyeyemi successfully casts her first spell, luring the reader/listener into the twilight of Boy’s world.

The second section of Boy, Snow, Bird is told from thirteen-year old Bird’s point of view. Bird is precocious, inquisitive and vivacious, but impetuous and even a bit cruel. She is an aspiring journalist who is sharp enough to ferret out information even as she seeks to uncover the truth of the world around her. In the process of negotiating her burgeoning adolescence and dinner table politics, she strives to find her voice, test her boundaries, and wield her power. In this section, the clues as to what is really going on in this novel proliferate; but they are like the blue jewels set in the chain mail that Bird’s father makes: You can become mesmerized in the fairy tale references, without seeing how they connect to the whole of the narrative.

The last section of the novel reverts back to Boy, now a thirty-three year old mother and wife, and is the most controversial part of the book. It is a section fraught with twists, denouements and, a different kind of ending than many readers might have anticipated; but it is in the final part that the key to the novel is to be found (on page 299):

“I need to know how to break a spell.”


When you see it, you can only marvel at the tale of enchantment that Helen Oyeyemi has spun.


Susan Bennett and Cara Patterson are the two narrators in the audiobook production. Ms Bennett performs the role of Boy, while Ms Patterson voices Bird (and Snow in the instance of the covert correspondence that Bird and Snow take up.) Ms Bennett lends a clear, detached, and an entirely appropriate voice to the character of Boy; though apparently 1950s Manhattan sounded like Brooklyn; the relative isolation from New York made no impact on Boy’s accent after thirteen years; and she was immune to her New England neighbors. Ms Patterson’s approach to Bird is also commendable for its brightness and briskness, which matches Bird’s personality; though it suffers somewhat by being obviously more mature than her character, and in comparison to Ms Bennett’s more professional finish.


OTHER: I received a CD library edition of Boy, Snow, Bird (by Helen Oyeyemi; narrated by Susan Bennett and Cara Patterson) from Recorded Books in exchange for a review. I receive no monies, goods (beyond the audiobook) or services in exchange for reviewing the product and/or mentioning any of the persons or companies that are or may be implied in this post.

Print Review: The Bone Clocks

The Bone Clocks

The Bone Clocks
By David Mitchell
Penguin Random House | Random House
Release Date: September 2, 2014
ISBN: 978-1-4000-6567-7

Holly is a fifteen-year old girl, running away from home after a major, if classic throw-down with her mother (“Live under our roof, obey our rules…”) In the course of her self-imposed exodus from her small English village, Holly experiences strange, realistic “daymares” and suffers from memory blackouts as well. David Mitchell explores the implications of the psychic phenomenon that have been manifested in Holly’s worldview by implementing a sort of “relay form” of narrative: The reader bears witness to Holly’s life through the first person points of view of four other people of varying degrees of intimacy in relation to Holly, and over the course of nearly sixty years.

The story as a whole is a somewhat inelegant mixture of popular drama (think Umberto Eco’s Foucault’s Pendulum,  J.K. Rowling’s Harry Potter and the Goblet of Fire or even the original Indiana Jones movie), a bit of alternate cosmology (e.g. Neil Gaiman and/or Luc Besson’s movie, Lucy) and the descriptive stylings of each of the chapters. There are characters from Mitchell’s other novels who make appearances in The Bone Clocks, most notably Marinus from The Thousand Autumns of Jacob de Zoet, which makes for some meta interest in Mitchell’s “biblioverse.” However, if the reader is expecting the same nuanced evocations of a time and place, or the poignancy of “Thousand Autumns,” The Bone Clocks falls short. The fantastical elements are heavy and  rather awkwardly incorporated into the story; Though each section’s time, place and attitudes are marked by distinctive and unique details in language and quotidian items appropriate to the respective settings, there is a superficial quality to the characters themselves; and while it is not absolutely necessary to read Mitchell’s other novels, doing so adds to the fun and interest of The Bone Clocks, while conversely not having read Mitchell’s other novels may leave the reader feeling they are missing something.

OTHER: I received an Advanced Reader’s Edition of The Bone Clocks (by David Mitchell) through the LibraryThing Early Reviewer program on August 7, 2014. I receive no monies, goods or services in exchange for reviewing the product and/or mentioning any of the persons or companies that are or may be implied in this post.