Edith Wharton has written a novel about societal Darwinism. Mrs. Astor’s 400 of The Gilded Age evolved, and arguably devolved, as established families lost money and standing and, new wealth and those of a “certain race” crept in. Those who failed to adapt would find themselves consigned to the fringes and even “out” altogether. The exposition of this process through a number of characters in the novel is extremely well portrayed, but none more so than with Lily herself. Lily finds herself caught in a time of transition into the new society at the turn of the century and struggling to adapt to newer circumstances. The novel is written with Lily’s voice and perspective (though technically in the 3rd person omniscient), yet, despite being privy to the inner workings of Lily’s mind which might lend understanding to her modus operandi, the reader finds a curious lack of the survival instinct.
If there is a failing of the novel, it would be that the reader can never come into full sympathy with the protagonist. Whatever you may think of Lily, as a romantic figure, tragic victim, insipid socialite… it’s nearly impossible to know Lily herself. Perhaps this is because Lily doesn’t have a clear definition of herself either. The reader, like her friends, never really knows Lily and it results in a series of misunderstandings. How can you have faith in someone you don’t really know and can’t get a handle on? As one of Lily’s erstwhile friends, Carry Fisher put it when trying to explicate Lily’s situation, “…but I never could understand you, Lily!” Edith Wharton doe not give the reader a special insight into Lily so we can only judge her instead of love her.
This book qualifies for a personal challenge of reading a couple of Edith Wharton novels this year: The House of Mirth, Ethan Fromme, The Age of Innocence and The Buccaneers. I am reading at least three of these novels (The House of Mirth, Ethan Fromme and, The Age of Innocence) with @lithousewife 🙂
This book also qualifies for the What’s in a Name Challenge, #6 hosted by @BethFishReads at http://www.bethfishreads.com, as a book that has a title with an emotion (“Mirth”) in it:
I did not read the Introduction, Notes and Further Reading by Jeffrey Meyers or; the Note on Edith Wharton, The World of Edith Wharton and The House of Mirth, Inspired by The House of Mirth and Comments & Questions.
I purchased The House of Mirth (by Edith Wharton; Introduction and Notes by Jeffrey Meyers) from Barnes & Noble in Medford, OR.
I receive no monies, goods or services in exchange for reviewing the product and/or mentioning any of the persons or companies that are or may be implied in this post.